He himself claims that he cannot remain in a certain spot for too long and has to keep moving continously. Maybe that's how Jiří Kalfař earned his own fashion show at the prestigious New York Fashion Week. You may have already read about his massive success, but the world of fashion isn't the only field where this talented designer scored. His former love was ballet. Can we expect ballet-inspired elements in some of his future collections?
When I think back to it and realize that it really happened and that I made it, it's a nice feeling, a kind of satisfaction. But in general I think that I am still not fully aware that it happened. With getting a new collection ready and a new fashion week and other events that we've got, I'm all over the place. Maybe once I look back in ten or so years, at what I've achieved...
It's not confirmed yet. We have plans in Europe, we're doing Monaco in May, Monte Carlo. Cannes Film festival too, of course. I'm also planning to go to the mountains, if I can make it while there's still snow (laugh). And then there's the new season starting in August. So we'll see.
I am the kind of person that can't stay in one place for too long. For me personally it's important to keep heading somewhere, pushing my boundaries. Where success lies I honestly can not assess.
Preparations for the show were difficult and meant about four hours of sleep per day for me. Right before the show we were still changing the music at two in the morning. An hour before the show I was waiting at FedEx where they didn't want to hand over the shoes, because those had been changed like two hours prior. Until the moment of the show - and that includes the show itself - it was a whirlwind. Only once the show was over, when I came backstage, it all dawned on me. I literally broke down and cried in the corner.
I think so, for sure. First of all, it really is the satisfaction with what I do. Second of all, it's prestige. Once you make it to someplace like New York Fashion Week, people look at you differently. The doors open for you much more easily. You still have to knock in some way, but people will open the door for you. It isn't like the receptionist telling you, "Come back in a month or something". Does that make sense? It was suposed to be an anecdote (laugh).
Alina walked in my first show, when I was still doing shows in Kiev.
It happened when we met at a Cafeteria for a glass of wine a couple hours before a show. I told her that I was doing a show, and she came to have a look at the collection. She told that she'll walk in it for me, and since then she's walked in all my shows save one, which I'm very grateful for.
Pavlína walked in my second show. At one point she closed a show in London, this time in New York she opened. Pavlína is a legend in the business and her role in it is undeniable. I really appreciate that she'd walk in my shows, that we became friends and that she sees some talent in me. I don't think they had to earn my favor, not at all. On the contrary, I try my best so that they don't have to regret lending their name to me.
Thanks to Instagram. We didn't know each other personally, but knew about one another. I wanted the show to have a bit of a Czech mark, that's why I chose Preciosa and Tonak. So I wrote to Linda, because I know that she lives in New York and I really like her. I asked her to support me. And she went for it.
I kinda put stuff out, I live here... I'm a little bit withdrawn. I'll admit, in a way I'm trying to ignore the fashion world and show business a little bit - and just live my happy little life here, where I walk my dog, go on cabin trips and move between my studio and my home. That's enough for me here, it's like my retreat. I don't even have Czech clients and keep most of my business abroad.
Not when it comes to sales (laugh). The feedback and attention from the Czech media was much bigger than I'd expected, and I was pleasantly surprised. I'm glad it reached even people who aren't in the fashion industry. Everything needs time though. I don't believe that you can just do one show, and suddenly there will be a queue here and you'll get to decide who can come in and who can't.
I don't find it amusing, but I do think that's what the Czech nature's like. It's like that with everything. It's not that people here don't appreciate me, it's more like some sort of distrust which we have inside. We rarely give or take that opportunity.
Every cloud has a silver lining. I'm not the kind of person who holds grudges or anything of the like. It helped me become more aggressive. And maybe if I'd done shows here, I wouldn't have had the courage to leave the country, because I'd have grown lazy here.
To persist, take their time and have trust in what they do. Not to try and be like somebody else, to be themselves. Because sooner or later somebody will recognize their brand, their hard work and diligence. So they'd better be ready!
I'd definitely recommend that. At least they'll learn how it works backstage. And how preparations for a show actually work. That's actually the only feedback you get from the outside world. You spend half a year making something and get no feedback at all. And doing any kind of fashion week is your only clash with reality. Aside from sales that is, though that's a bit of a harder clash with reality (laugh).
Pleasantly. I love ballet and I love theater. I admire no one more than I admire dancers. When I look at it as an artist and a designer in a certain way, I create something - and the 'something' represents me in that fashion show. But a dancer creates the 'something' on their own person. Their body is their instrument, that they have to continuously refine and force into poses or training that they aren't used to. They have to keep overcoming their limits. And the even bigger paradox is that dancers are often insecure about their own bodies, when that's literally what they show off to the world. It requires a lot of mental stability.
I only started doing ballet when I was eleven years old at a conservatory, before that I did some after school activities - drama club and disco dance. Up to this day I'm in awe that I got accepted into a conservatory, because I knew near to nothing about ballet. I was tiny and rather chubby, but all the more driven, I'd say.
I think the best male dancer in history was Rudolf Nureyev, and Vaslav Nijinsky, both of them changed and elevated ballet into new heights. Among women that'd then be Sylvie Guillem, probably. Among active dancers I love Alicia Amatriain and Daniela Camargo.
Considering that those are two completely different art forms, I think that question can not be answered. Maybe I'm not even the right person for this question, because both with ballet and with fashion I have mostly been active abroad.
Not really my ballet experience as much as theatre. Somebody told me once that my work is rather costume-like. Not just in theatre, but in daily life too, we all put on costumes in some way. Whether we want to bring attention to ourselves, look good, fit in or, on the contrary, play a certain role. And I perhaps exaggerate that all the more because I was engaged in theatre.
No. I think that it has to be done so incredibly well, in order not to look kitschy... very few people can pull that off. If anything, you need a proper stage, and at the moment we only show clothes.
It is not out of the question. If I'm able to build a stage one day like Chanel does four times a year, definitely. There it'd be worth it. Until then, on a white runway with a white background, probably not.
Of course. I'd immensely enjoy designing costumes for ballet, be it for the reintroduction of classics, like Swan Lake or Giselle, or to collaborate on a new production of a contemporary ballet. I love Wayne McGregor, whose choreographies and productions I'm in love with.
I think I'd be happy. A different kind of happy, but happy.
More of a necessity, but I don't travel as often as people think. Or rather, what's 'often' to you?
Yeah, no. You see, I don't travel that much. It also depends where. I don't consider going to London or Milano travel. If somebody lives in Bratislava and works in Prague, that's way more of a travel for me and takes a lot more time than going door to door in London for example. But I enjoy every day and it doesn't matter whether I'm traveling or not. Maybe it's become just a necessity for me, but I still look forward to seeing the people I'm going to meet.
I plan to stay in the Czech Republic. Like five years ago I was planning to be a Czech designer doing shows in the Czech Republic for Czech clientele anyway. So this is how I plan.
Nothing is out of the question. As I said, I plan to stay in the Czech Republic, but Europe is so terribly small that you can get pretty much anywhere in two hours. I consider myself a citizen of Europe, not the Czech Republic or Prague.
No, I'm a European. I love New York more than anything, but I'd worry if something happened to my family let's say. It's a bit too far for my taste.